The Hollywood Western is one of the most successful propaganda operations in entertainment history. What it leaves out: approximately one in four cowboys in the post-Civil War American West was Black. The cattle drives were substantially operated by Black and Indigenous men. The horse culture that defined the frontier was Indigenous technology.
Beyonce's Cowboy Carter album is a territorial reclamation — a systematic demonstration that Black Indigenous culture is the source material for what gets called American music, fashion, and mythology.
Pharrell's appointment at Louis Vuitton operates on the same logic. He did not assimilate into European fashion. He redirected the most powerful distribution network in global luxury toward Black Indigenous aesthetics. The pattern is a coordinated, multigenerational reclamation strategy. Members get the full breakdown.